WaveEdit is the free, open-source wavetable editor developed by Synthesis Technology for the E370 Quad Morphing VCO and E352 Cloud Terrarium VCO Eurorack format wavetable oscillators. WaveEdit wavetables are also compatible with the Piston Honda Mark III from Industrial Music Electronics and the Qu-Bit Chord v2. You can download WaveEdit at http://synthtech.com/waveedit for Mac, Windows and Linux.
This site presents a growing library of free wavetable banks shared by WaveEdit users via the WaveEdit Online tab within the software. All wavetables here are under CC0 1.0 Universal (CC0 1.0) Public Domain Dedication.
21 May 2019 (blit)
This is the Formant part of the Waldorf Streichfett String part ¨(without ensemble effect)
19 May 2019 (L3G0)
Created with Reaktor and WaveEdit. Enjoy!
11 May 2019 (Taro Kimura)
11 May 2019 (Taro Kimura)
11 May 2019 (Taro Kimura)
Created with K-Devices Terra(Max for Live)
11 May 2019 (Taro Kimura)
Phase Distortion Synthesis
11 May 2019 (Taro Kimura)
Phase Distortion Synthesis
11 May 2019 (Taro Kimura)
Phase Distortion Synthesis
11 May 2019 (Taro Kimura)
Phase Distortion Synthesis
11 May 2019 (Taro Kimura)
FM(Phase modulation)
11 May 2019 (Taro Kimura)
"Go ahead"
FFT Vocorder
11 May 2019 (Taro Kimura)
"Make my day"
FFT Vocorder
11 May 2019 (Taro Kimura)
Wavefold Feedback
11 May 2019 (Taro Kimura)
Vecotr Phase Shaping synthesis
08 April 2019 (Monsieur Fingers)
A gentle, mostly non-abrasive wavetable around an organey FM sound.
22 March 2019 (Starthief)
Starts as a squarewave at 8x normal frequency. Morphing increases the sample-and-hold time, disrupting the square waves and dropping the effective frequency.
This was created for an experimenting in clocking a Doepfer BBD with crazy signals, for instance, using Cloud mode, phase modulated or amplitude modulated clock signals. It may also be useful for clocking the Z-DSP, Synchrodyne or other modules that normally operate on a high clock rate.
01 March 2019 (2)
2
01 March 2019 (2)
2
21 February 2019 (Starthief)
The Harvestman Kermit, sampled and resynthesized in Serum. Doesn't actually sound much like Kermit, but useful anyway.
20 February 2019 (Starthief)
Another dity sine with higher harmonics for aliasing and noise; saturates and folds as you morph through the bank.
20 February 2019 (Starthief)
Findamental sine with a scattering of higher harmonics intended to cause noisy aliasing and whine, further dirtied, quantized as you morph through the bank.
20 February 2019 (Starthief)
Findamental sine with a lot of higher harmonics intended to cause noisy aliasing and whine, with increasing dirty quantization as you morph through the bank.
05 February 2019 (Starthief)
Sampled from my Microbrute's triangle oscillator with increasing level and then Brute Factor with the LPF almost fully open, for saturation.
Captured a few representative cycles, created a Serum wavetable and then converted to WaveEdit format.
27 January 2019 (P. Bouvret)
vocal sample formant filtered (KTerm)
27 January 2019 (P. Bouvret)
vocal sample formant filtered / partial env edit (KTerm)
28 January 2019 (chemotroph)
scannable amen loop. pitch bending and time stretching goodness!
17 January 2019 (Taro Kimura)
303-ish
07 January 2019 (Taro Kimura)
Text to Speech[Microsift JP]
19 December 2018 (CaveStudio)
10 October 2018 (YCF)
Sines in harmonic series with random dissonant partials added.
Good for glitchy modulation and atonal sounds at low frequencies.
Overlapping harmonics create more dissonance when morph interpolated.
Pitch becomes recognizable at higher frequencies.